Projects – Robbrecht en Daem architecten

In a working class neigbourhood of Ghent, against the backdrop of nearby blocks of high-rise flats, Robbrecht en Daem converted an existing timber yard into new architectural studios. The roof of the shed, built by the wood construction company De Coene in the early seventies, was partially dismantled. What used to be the work floor has become an outdoor space that accommodates an arboretum fringed with wild grasses, a swimming pool, bicycle... Read more

The Louie Almanak is a calendar of time and space, linked by pencil. Building on the Louie number series (a numerical system that plays an important role in the work of Robbrecht en Daem architecten), the contours of time were plotted like a strict score in which the seasons move. The numerical thinking that already so often defines the lines of a design here builds up a day, a week, a month, a year.... Read more

For the redevelopment of the Boerentoren in Antwerp, the central question was how this tower - which previously served mainly as an office building - could optimally exude culture in the future and house the patrimony of The Phoebus Foundation. Robbrecht en Daem's design was built around the democratic idea of making art as accessible as possible. To make art and 'life' coexist.Encounters with art are far from obvious. On the completely open and... Read more

On the banks of the channel running through Brussels, this layered project combines a gymnasium, 16m high indoor & outdoor climbing facilities , a multipurpose sports hall and padel fields on top. The aim of the design is to inscribe itself in the specific context and thus increase the cohesion of the canal area, strengthen its identity and give extra quality to the public and open spaces. A public balcony, a kiosk, a viewpoint and cafétaria... Read more

The De Konincksite project is located on the border of Antwerp and Berchem, on the edge of Albert Park. Around the existing city brewery, this area is developing into a fordable 'crafts area' (with a lively programme of small shops) and a residential superstructure (with a hotel and flats).Originally, the adjoining plot with the city brewery (the 'mother site' as it were) was criss-crossed by alleyways and squares. The present design aims to... Read more

Robbrecht en Daem architecten, together with Osar architects, has won the design competition for the Jessa Hospital in Hasselt, Belgium. The design is driven by a renewed search for the human scale of the hospital. In this search a contradictory question arises: how can a hospital with an immense surface area (135,000 m2) achieve the necessary small scale and humanity through its architecture? The response is not to put 'the patient' at its... Read more

Clad in a crystalline skin of structured glass and brass-coloured anodized aluminium frames, this park building is embedded in the variable topography of its site, with each side responding to a different context. Whereas the long facade addresses the longitude of the park and the frontality of the ‘Ereperk der Gefusilleerden’, a military cemetery for both World Wars, the northern volume anchors the building in the urban fabric... Read more

The open landscape of the IJzerbroeken, which surrounds the site of the Knokkebrug, inspires passers-by to dream of a higher outlook from which to view the area. The realisation of a watchtower on this spot is an excellent opportunity to expose the strength of the site. The Friendly Tower is a strong, autonomous, pentagonal figure that provides insight from a height into the historical, geometric figures of the environment, to which the... Read more

Park Abbey is a 12th-century heritage site that is undergoing a complete restoration by Studio Roma. For the design of the circulation within the abbey's eastern (and primarily public) wing, Studio Roma called on Robbrecht en Daem architecten. Within this design, two tower volumes with a pentagonal footprint were chosen as circulation cores. The larger tower in exposed concrete is part of the museum route, and the smaller tower in steel serves as... Read more

‘No space, architecturally, is a space unless it has natural light.’ - Louis Kahn On a site on the Garenmarkt, next to the Groeningemuseum, a new exhibition hall will be erected by the end of 2024 that will house two museum spaces and opens out onto a new park. The exhibition areas will be constructed at a raised level and will be separated from each other by a public passageway (Scala Grande), so that an open, transparent and freely... Read more

On a picturesque site at the edge of Anderlecht, Robbrecht en Daem architecten will build a new house for the Steiner School Brussels. The design proposes three new volumes built in light wood structure and designed in close harmony with each other. The two longitudinal volumes shelter the classrooms and the third volume welcomes a sports and singing hall. The outside gallery aims to establish connections and sharing between all the classrooms.... Read more

3 Fonteinen is a traditional lambic and gueuze brewery with a long history dating back to 1887. It is known for its adherence to heritage, honest production methods and the place it has held for years in the top 50 best breweries in the world.Today, the brewery is located 'on top of the mountain' in the village centre of Beersel, while the wooden casks are located 'down below' in Lot, next to the Senne. It is in this latter location that 3... Read more

With the Bozar Café, Robbrecht en Daem architecten aimed to create a world in all modesty, a kind of microcosm or universe. To give the visitor an experience. A returning aspect in the interiors of the café, the book shop and the box office are the 'circles' - like the form of chandeliers and mirrors - that generate a 'kind of planetarium with sunsets and sunrises'. The choice of materials, such as the dark green granite and leather benches,... Read more

The Halles aux Farines, situated on the right bank of the Garonne, was built along with the construction of the first railway lines and is centrally situated amidst a network of tracks. The former warehouse has been transformed into the municipal archives of Bordeaux, and forms the first link with the future eco-district of Bastide-Niel. The industrial history of the site acquires a new interpretation: the storerooms, where the archive boxes are... Read more

In the new clubhouse for the Winge Golf and Country Club, the relationship between inside and outside is crucial, as is the merging of the functional and the scenic. The white building envelops the entire environment, like a warm white blanket over the gently sloping terrain. Two separate building volumes are connected by a continuously sloping concrete roof, accommodating all practical functions such as tee-off and practice rooms on the one hand... Read more

De Drie Leeuwen is a project in Vilvoorde consisting of three residential buildings, of which the first phase, a 14 story tower of 70 appartments, has been completed. The project creates a valuable infill at the corner where the Medialaan and Tweeleeuwenweg meet. The completed building is part renovation, part new build whereby the existing apartment block is extended on one side to create a T-shaped plan. A lively facade of balconies on the new... Read more

The general concept of the design focuses on the various ways of experiencing art. Three museological rooms, heart of the Udarnik project, differ regarding user experiences. Large differences of scale and light atmosphere stimulate the museological experience. The three exhibition rooms are modules that can be arranged differently, this ensures the flexibility and continuity of Udarnik: The Incubator on the groundfloor, a central hall as a free... Read more

Mobile radio studio that was designed for the radio programme Pompidou and set up in various places in Brussels during the Klara Festival of 2014. The studio consists of four triptychs, a table and a projection standard. Due to the flexibility of the screens, the intimacy of the space and the program is determined. The design is supposed to stimulate a conversation that happens between a few people but can be heard by thousands who do not know... Read more

The volume for the State Archives, located in the city center, is meticulously matched to the scale of the surrounding buildings. The sturdy corner building respects the pattern of the street onto which it fronts, while the long horizontal volume behind adheres to the cornice height of the surrounding streets and alleys. At the end of the horizontal wing, the facade is set back from the plot boundary. This makes space available for a small public... Read more

In the summer of 2013 Robbrecht en Daem architecten realizes a temporary pavilion based on a competition design by Ludwig Mies van der Rohe from 1930. The design, a clubhouse for a golf course in the gently rolling countryside around the former industrial city of Krefeld, Germany, was never built at the time it was designed. Christiane Lange, art historian and curator for ProjektMIK, invited Robbrecht en Daem architecten to design an objet d'... Read more

In the redevelopment of the city centre, the restored relationship with the River Lys forms the starting point. The presence of the Lys generates an enormous quality for the city: the watercourse is the bearer of urban identity. The course of the river defines the structure of the city centre. Contact with the Lys is made possible by the construction of a mooring quay, a promenade and a square in front of the Church, located on the bend of the... Read more

On top of a polished concrete base raised slightly off the ground, a light, gleaming, green-painted steel construction unfolds to form a shelter to protect delicate works of art. The diagonal lines of passage through this new pavilion interweave Middelheim Park with the Hortifloria Garden, a recent extension of this well-known Antwerp sculpture park. Four vertical recesses provide the entrances to the pavilion, divide the space into four and... Read more

Following two demolition campaigns for a world exhibition in 1913 and an administrative centre never built in the 60s, Ghent’s historic heart degenerated for decades into a desolate parking lot in between a suite of three adjoining Gothic towers. In two consecutive competitions between 1996 and 2005, Robbrecht en Daem architecten and Marie-José Van Hee architects proposed their own programme, countering the initial competition requirement.... Read more

Raoul De Keyser’s oeuvre is permeated by an original, internal and inherently spatial constellation. De Keyser’s paintings do not fit within the Renaissance idiom of a window upon an illusory perspective. The paintings shift, glide, oscillate, overlap and, at times, they also fall. Even when they do in fact suggest an architectonic space, a cabinet for example, there is a certain spatial friction. It is precisely this extremely controlled... Read more

The storehouse for wine barrels, the ‘Chai à barriques’, is entirely underground and is the heart of the building. This reduces the overall height of the building, which keeps its impact on the surroundings to a minimum. Wine production is carried on in the ‘Cuvier‘ on the ground floor, a functional area spanned by a vault of inclined roof planes. Light enters through windows at the corners. A separate tower houses a reception area... Read more

Refurbishment of the entrance hall and auditorium in the Royal Museum for Fine Arts Antwerp (KMSKA). This included the reception desk, benches, signalisation in the entrance hall, lectern, speaker’s desk and the separation wall in the auditorium.... Read more

The conservation project for the Book Tower aims at restoring the historical site of the University Library, situated in the lively quartier Latin of Ghent, meanwhile at transforming it into a library for the 21st Century. The design unites the ambitions of the University to respectfully repair the monumental site to its original condition, but also to render it a contemporary house for a great diversity of users and for the valuable own... Read more

The High Views are two observation towers along a cycling route between Lincoln and Boston, 60 km apart. They mark a place to rest on the banks of the River Witham where one can look out over a landscape that is very varied in its use. The design of the towers is in part based on the churches of the two towns. The meandering vault of Lincoln Cathedral inspired the observation tower in Boston. The stubby parish church of Boston gave rise to the... Read more

A dairy at the foot of the historical castle of Gaasbeek has been converted into accommodation for musicians, with a chamber music hall. The late nineteenth-century front building was transformed into the accommodation; the hall replaces the original small factory shed but adheres to its original outline. The volume is dug deep into a slope into which an open ramp has been cut which then bends over the hall and climbs upwards like a ziggurat and... Read more

This garden house with swimming pool is a two-storey wooden structure with an irregular floor plan. The load-bearing wooden beams form a pattern of adjoining triangles. A sculptural hearth element runs up through the volume as a solid supporting pillar. On the ground floor there are changing rooms, a sauna and a hammam, and upstairs a flat with kitchen. The roof is fitted out as a terrace amidst the treetops.... Read more

The dovecote in the forestry area in Dorst stands in a clearing in the wood, next to a stream in which it is reflected. The way the stones are stacked leaves edges and angles on which the birds can sit. There are occasional gaps too, where a stone has been left out so that the birds can get inside to sit on bars. The dovecote is built in blocks of Pietra di Vicenza, a calcareous sandstone from Italy.... Read more

Rubens Square is a triangular square with a large opening towards the sea. Two long benches oriented parallel to the water are bordered by a wall of tempered glass which acts as protection from the wind. It is a particularly social place where elderly people often watch children play. The square’s tiles have a mosaic-like pattern with maritime tones that refer to the nearby sea. Blues, grey-greens and whites are interwoven like an abstract... Read more

A complex but recognisable setting is composed of a church, a vicarage, a glebe, a brick silo, a brewery, and above all a set of large trees. In short, an idyllic and typical Flemish landscape that somehow predates the Second World War neither touched nor spoiled. In all its aristocratic allure, the 18th-century vicarage exudes a forgotten past that poses a real challenge to all things new. The humble garden walls form a dominant role in the... Read more

On ‘t Zand, an open urban space near the station in Bruges, Robbrecht and Daem built a concert hall for Bruges when it was the Cultural Capital of Europe in 2002. Alongside the Halletoren, the Church of Our Lady and St Salvator’s Cathedral, this ‘Concertgebouw’ has become a landmark when driving into the city. A uniform external cladding in terracotta tiles hangs like dignified drapery over the volumes of the concert hall, fly tower and... Read more

The ‘Ligeti bench’, which was designed for the foyers of the Concert Hall in Bruges (1999– 2002), ranks as one of the most empathically coloured designs of Robbrecht en Daem. This piece derived from the idea of introducing lightness as a contrast to the rigid concrete interiors of the building. A low, deep bench was designed and painted in stripes, with a colour composition inspired by the precisely conceived Farbenklavier of Le Corbusier.... Read more

A wooden walkway, which descends from a platform to the small valley behind a villa in southern Flanders, leads to the Woodland Cabin, a distant relative of the igloo and the small buildings one comes across in the mountains everywhere in the world. On a platform next to a pond, wooden blocks have been stacked to form a two-lobed space that is closed off with a glass wall and door. Beams that fan out support a green roof from which emerges the... Read more

The design for the square reconciles two aspects: on the one hand the heavy traffic is dealt with by two roundabouts, one at each end, and on the other a public forecourt is laid out for the Museum of Fine Art. Several works of art have been installed on the square: recovered fragments of the Loos monument by Auguste Rodin, a bench designed by Ann Demeulemeester and a fountain by Christina Iglesias, which forms the heart of the forecourt, gives... Read more

The nineteenth-century, rather dark mansion with a narrow, long city garden in the center was transformed into a contemporary light-filled residence with a pharmacy. Above the renovated pharmacy and between the volumes of the main building, a patio gives a view of the tower of the 18th-century baroque church through wall-high windows, while a skylight brings daylight into the pharmacy workspace. The patio is like a heart between the various... Read more

The garden pavilion in Vosselare was the first in a series of small architectural objects. In the studio of Robbrecht en Daem, these small structures give rise to a reflection on their position as architects and the status of architecture as such. In connection with this project, Juan Muñoz wrote ‘Estimado Amigo’.... Read more

In the Canal Houses apartment building – designed by Robbrecht and Daem architecten – a three-story penthouse apartment was also furnished by the architects. The sober and warm design is achieved through the textures and colors of the materials. A striking feature is the floor in light gray Piedmont Serena, which is a neutral base for the installation of artworks. An oak staircase connects the two other levels where the floor is also in oak... Read more

In 1992, on the occasion of the Olympic Games in Barcelona, Robbrecht en Daem architecten collaborated with Juan Muñoz to create a pavilion titled the House Where It Always Rains. Pavilions are structures where art and architecture come together in the heady pursuit of pure experimentation. Somewhere between a folly and a model, the pavilion is an actual space, constructed so it can be occupied and looked at; but it has no apparent purpose.... Read more

The Aue pavilions were temporarily built for the hundred days of Documenta IX in Kassel and formed one of the components housing the contemporary art exhibitions. Visited by six hundred thousand people, the pavilions showcased the work of twenty-eight artists. The Building was situated in the extensive baroque park of Friedrichs' Aue's. This park lies sixteen metres below the nearby Friedrichsplatz from where one could look down on the pavilions... Read more

The building trade and the social situation in the early years of our practice were such that the majority of our commissions consisted of interventions to existing buildings or spatial redesigns of building complexes. In this way we contributed to the sum total of the building activity which - in an on-going interrelationship of action and reception produced a considerable material output at that time. We perceive that totality as primary matter... Read more

A penthouse was built on top of an industrial building with an art nouveau facade. This glass pavilion forms a still-life on the roof together with the technical installations enclosed inside a grating, and Isa Genzken’s work of art Camera. The frame of the work of art emphasises the role the flat plays as an observatory overlooking the town.... Read more