In a working class neigbourhood of Ghent, against the backdrop of nearby blocks of high-rise flats, Robbrecht en Daem converted an existing timber yard into new architectural studios. The roof of the shed, built by the wood construction company De Coene in the early seventies, was partially dismantled. What used to be the work floor has become an outdoor space that accommodates an arboretum fringed with wild grasses, a swimming pool, bicycle... Read more

For the redevelopment of the Boerentoren in Antwerp, the central question was how this tower - which previously served mainly as an office building - could optimally exude culture in the future and house the patrimony of The Phoebus Foundation. Robbrecht en Daem's design was built around the democratic idea of making art as accessible as possible. To make art and 'life' coexist.Encounters with art are far from obvious. On the completely open and... Read more

Xavier Hufkens – a leading contemporary art gallery in Europe – reopened its Sint-Jorisstraat gallery in Brussels in the summer of 2022, following a spatial reformulation of the existing flagship gallery with an important new extension by Robbrecht en Daem architecten. The project holds a special connection to the building’s history: thirty years ago, Robbrecht en Daem – in collaboration with Marie-José Van Hee architecten –... Read more

This corner building houses an exhibition and event space for Katoen Natie, combined with residential units above. The project is situated adjacent to the company headquarters. The headquarters - which consists of several former port warehouses - was previously renovated by Robbrecht en Daem architecten. The new project visually relates to it as a sort of continuation of the earlier work. The choice of a concrete façade and an aligned cornice... Read more

On the banks of the channel running through Brussels, this layered project combines a gymnasium, 16m high indoor & outdoor climbing facilities , a multipurpose sports hall and padel fields on top. The aim of the design is to inscribe itself in the specific context and thus increase the cohesion of the canal area, strengthen its identity and give extra quality to the public and open spaces. A public balcony, a kiosk, a viewpoint and cafétaria... Read more

The De Konincksite project is located on the border of Antwerp and Berchem, on the edge of Albert Park. Around the existing city brewery, this area is developing into a fordable 'crafts area' (with a lively programme of small shops) and a residential superstructure (with a hotel and flats).Originally, the adjoining plot with the city brewery (the 'mother site' as it were) was criss-crossed by alleyways and squares. The present design aims to... Read more

Robbrecht en Daem architecten, together with Osar architects, has won the design competition for the Jessa Hospital in Hasselt, Belgium. The design is driven by a renewed search for the human scale of the hospital. In this search a contradictory question arises: how can a hospital with an immense surface area (135,000 m2) achieve the necessary small scale and humanity through its architecture? The response is not to put 'the patient' at its... Read more

For the established clothing brand Carhartt WIP, Robbrecht en Daem renovated an existing building into a new location in Antwerp. The building was given a new plinth and the windows in the front facade were extended to the plinth so that the building can be fully read as a shop. At the same time, opening up the windows allows more light into the shop and the studio, which was appropriate given the depth of the plot.Inside, the monumental value of... Read more

Park Abbey is a 12th-century heritage site that is undergoing a complete restoration by Studio Roma. For the design of the circulation within the abbey's eastern (and primarily public) wing, Studio Roma called on Robbrecht en Daem architecten. Within this design, two tower volumes with a pentagonal footprint were chosen as circulation cores. The larger tower in exposed concrete is part of the museum route, and the smaller tower in steel serves as... Read more

‘No space, architecturally, is a space unless it has natural light.’ - Louis Kahn On a site on the Garenmarkt, next to the Groeningemuseum, a new exhibition hall will be erected by the end of 2024 that will house two museum spaces and opens out onto a new park. The exhibition areas will be constructed at a raised level and will be separated from each other by a public passageway (Scala Grande), so that an open, transparent and freely... Read more

Clad in a crystalline skin of structured glass and brass-coloured anodized aluminium frames, this park building is embedded in the variable topography of its site, with each side responding to a different context. Whereas the long facade addresses the longitude of the park and the frontality of the ‘Ereperk der Gefusilleerden’, a military cemetery for both World Wars, the northern volume anchors the building in the urban fabric... Read more

The open landscape of the IJzerbroeken, which surrounds the site of the Knokkebrug, inspires passers-by to dream of a higher outlook from which to view the area. The realisation of a watchtower on this spot is an excellent opportunity to expose the strength of the site. The Friendly Tower is a strong, autonomous, pentagonal figure that provides insight from a height into the historical, geometric figures of the environment, to which the... Read more

On a picturesque site at the edge of Anderlecht, Robbrecht en Daem architecten will build a new house for the Steiner School Brussels. The design proposes three new volumes built in light wood structure and designed in close harmony with each other. The two longitudinal volumes shelter the classrooms and the third volume welcomes a sports and singing hall. The outside gallery aims to establish connections and sharing between all the classrooms.... Read more

With the Bozar Café, Robbrecht en Daem architecten aimed to create a world in all modesty, a kind of microcosm or universe. To give the visitor an experience. A returning aspect in the interiors of the café, the book shop and the box office are the 'circles' - like the form of chandeliers and mirrors - that generate a 'kind of planetarium with sunsets and sunrises'. The choice of materials, such as the dark green granite and leather benches,... Read more

The extension of the Royal College of Art at Battersea is a piece of art infrastructure. Free ‘platforms’ for creation allow current and future flexibility. As a terraced extension of the street an additional collective space – ‘the Stoa’, encourages interaction between staff, students and researchers. The hybrid nature of its design makes it the focal emblematic space the whole RCA community can associate with – a new identity... Read more

The residential building ‘Zuidertuin’ is part of the urban development for the Nieuw Zuid district in Antwerp. This new district extends between one of the busiest traffic intersections in Belgium and the wide open spaces of the Scheldt Quays and the river bed. Some 49 residential units of varying sizes with ‘through lounge’ are divided among the six levels in the form of duplex units or standard apartments. At the centre of the plinth... Read more

The Halles aux Farines, situated on the right bank of the Garonne, was built along with the construction of the first railway lines and is centrally situated amidst a network of tracks. The former warehouse has been transformed into the municipal archives of Bordeaux, and forms the first link with the future eco-district of Bastide-Niel. The industrial history of the site acquires a new interpretation: the storerooms, where the archive boxes are... Read more

The general concept of the design focuses on the various ways of experiencing art. Three museological rooms, heart of the Udarnik project, differ regarding user experiences. Large differences of scale and light atmosphere stimulate the museological experience. The three exhibition rooms are modules that can be arranged differently, this ensures the flexibility and continuity of Udarnik: The Incubator on the groundfloor, a central hall as a free... Read more

In the new clubhouse for the Winge Golf and Country Club, the relationship between inside and outside is crucial, as is the merging of the functional and the scenic. The white building envelops the entire environment, like a warm white blanket over the gently sloping terrain. Two separate building volumes are connected by a continuously sloping concrete roof, accommodating all practical functions such as tee-off and practice rooms on the one hand... Read more

De Drie Leeuwen is a project in Vilvoorde consisting of three residential buildings, of which the first phase, a 14 story tower of 70 appartments, has been completed. The project creates a valuable infill at the corner where the Medialaan and Tweeleeuwenweg meet. The completed building is part renovation, part new build whereby the existing apartment block is extended on one side to create a T-shaped plan. A lively facade of balconies on the new... Read more

In the summer of 2013 Robbrecht en Daem architecten realizes a temporary pavilion based on a competition design by Ludwig Mies van der Rohe from 1930. The design, a clubhouse for a golf course in the gently rolling countryside around the former industrial city of Krefeld, Germany, was never built at the time it was designed. Christiane Lange, art historian and curator for ProjektMIK, invited Robbrecht en Daem architecten to design an objet d'... Read more

Following two demolition campaigns for a world exhibition in 1913 and an administrative centre never built in the 60s, Ghent’s historic heart degenerated for decades into a desolate parking lot in between a suite of three adjoining Gothic towers. In two consecutive competitions between 1996 and 2005, Robbrecht en Daem architecten and Marie-José Van Hee architects proposed their own programme, countering the initial competition requirement.... Read more

On top of a polished concrete base raised slightly off the ground, a light, gleaming, green-painted steel construction unfolds to form a shelter to protect delicate works of art. The diagonal lines of passage through this new pavilion interweave Middelheim Park with the Hortifloria Garden, a recent extension of this well-known Antwerp sculpture park. Four vertical recesses provide the entrances to the pavilion, divide the space into four and... Read more

Raoul De Keyser’s oeuvre is permeated by an original, internal and inherently spatial constellation. De Keyser’s paintings do not fit within the Renaissance idiom of a window upon an illusory perspective. The paintings shift, glide, oscillate, overlap and, at times, they also fall. Even when they do in fact suggest an architectonic space, a cabinet for example, there is a certain spatial friction. It is precisely this extremely controlled... Read more

The Zwin plain is a border-crossing natural reserve located at the North Sea Coast. Robbrecht en Daem architecten were invited for an Open Competition to provide this natural reserve with new visitors’ facilities. The proposed visitor center comprised of a ticket office, museum shop, auditorium, restaurant, exhibition pavilion and observation pavilions, alongside viewing platforms, vehicle parking and a farm for the maintenance of the estate... Read more

The Greenwich café is an iconic Grand Café in the centre of Brussels. Following discussions with the Royal Commission of Monuments and Landscapes of the District of Brussels, a Building Permit was obtained for the restoration of this listed building which was placed on the List of Buildings of Remarkable Architectural Heritage in 2000.The ground floor façade, the stained glass cupola above the Winter Garden, and the remarkable interiors of the... Read more

In the best museums and galleries one finds one's way through a series of rooms, where the artefacts are carefully lit and set off by calm backgrounds. A degree of repetition helps navigation, some variation helps orientation.The proposals for the Whitechapel Art Gallery are bold in their restraint (someone commented: 'where’s the architecture?') and seize a simple but powerful opportunity: lower and upper floors are configured as circuits of... Read more

The conservation project for the Book Tower aims at restoring the historical site of the University Library, situated in the lively quartier Latin of Ghent, meanwhile at transforming it into a library for the 21st Century. The design unites the ambitions of the University to respectfully repair the monumental site to its original condition, but also to render it a contemporary house for a great diversity of users and for the valuable own... Read more

The High Views are two observation towers along a cycling route between Lincoln and Boston, 60 km apart. They mark a place to rest on the banks of the River Witham where one can look out over a landscape that is very varied in its use. The design of the towers is in part based on the churches of the two towns. The meandering vault of Lincoln Cathedral inspired the observation tower in Boston. The stubby parish church of Boston gave rise to the... Read more

A dairy at the foot of the historical castle of Gaasbeek has been converted into accommodation for musicians, with a chamber music hall. The late nineteenth-century front building was transformed into the accommodation; the hall replaces the original small factory shed but adheres to its original outline. The volume is dug deep into a slope into which an open ramp has been cut which then bends over the hall and climbs upwards like a ziggurat and... Read more

The Boijmans Van Beuningen Museum in Rotterdam is a complex amalgam of sections all built at different times. The extension by Robbrecht en Daem makes the museum into a single entity again. Green-tinted glass sheets introduce a rhythm into the façade that looks austere and elegant, but its layering also gives a hint of the complexity of the building. Inside, there is a striking link between Adrianus Van der Steur’s 1935 brick building and the... Read more

On ‘t Zand, an open urban space near the station in Bruges, Robbrecht and Daem built a concert hall for Bruges when it was the Cultural Capital of Europe in 2002. Alongside the Halletoren, the Church of Our Lady and St Salvator’s Cathedral, this ‘Concertgebouw’ has become a landmark when driving into the city. A uniform external cladding in terracotta tiles hangs like dignified drapery over the volumes of the concert hall, fly tower and... Read more

An extraordinary play of light is to be found in two of the former harbour warehouses that accommodate the Ka­toennatie in Antwerp. In one of them, domes in alabaster and leaded glass function as new skylights – designed by the Spanish artist Cristina Iglesias – and on top of the other is a roof of wooden slats through which sunlight slips in many layers. A new four-storey building connects the former warehouses. The ensemble of old and new... Read more

The design of the locomotive depot for the collectors Hauser & Wirth is the result of Robbrecht en Daem’s longterm association with artists and artworks. The Lokremise, or Lok depot, was not initially conceived as a museum, but as a collection display. The architecture was imagined in relation to the artworks. From the start, therefore, Paul McCarthy’s toppled studio, known as “The Box”, was included in the project and the architecture was... Read more

The garden pavilion in Vosselare was the first in a series of small architectural objects. In the studio of Robbrecht en Daem, these small structures give rise to a reflection on their position as architects and the status of architecture as such. In connection with this project, Juan Muñoz wrote ‘Estimado Amigo’.... Read more

In 1992, on the occasion of the Olympic Games in Barcelona, Robbrecht en Daem architecten collaborated with Juan Muñoz to create a pavilion titled the House Where It Always Rains. Pavilions are structures where art and architecture come together in the heady pursuit of pure experimentation. Somewhere between a folly and a model, the pavilion is an actual space, constructed so it can be occupied and looked at; but it has no apparent purpose.... Read more

The Aue pavilions were temporarily built for the hundred days of Documenta IX in Kassel and formed one of the components housing the contemporary art exhibitions. Visited by six hundred thousand people, the pavilions showcased the work of twenty-eight artists. The Building was situated in the extensive baroque park of Friedrichs' Aue's. This park lies sixteen metres below the nearby Friedrichsplatz from where one could look down on the pavilions... Read more

A penthouse was built on top of an industrial building with an art nouveau facade. This glass pavilion forms a still-life on the roof together with the technical installations enclosed inside a grating, and Isa Genzken’s work of art Camera. The frame of the work of art emphasises the role the flat plays as an observatory overlooking the town.... Read more