On 20 September 2024, arts centre Bozar hosted “Bartók in Space and Time,” a concert in which Robbrecht en Daem architecten mirrored the music of Béla Bartók in space. Conductor Gábor Káli and Symfonieorkest Vlaanderen performed Bartók's “Music for Strings, Percussion and Celesta” (1937), while that composition also showed itself spatially in five objects floating above the audience and orchestra. For this, Robbrecht en Daem went to... Read more

Positioned on the side and certainly not willing to interfere in Rubens’ famous lines of sight, the new reception building for the Rubenshuis - the house, studio and garden of artist Peter Paul Rubens - is a discrete extension to this historical site. Besides the reception function, it also contains a multimedia experience centre, a museum café, a reading room and the library collection of the Rubenianum, known as the world’s most extensive... Read more

In a working class neigbourhood of Ghent, against the backdrop of nearby blocks of high-rise flats, Robbrecht en Daem converted an existing timber yard into new architectural studios. The roof of the shed, built by the wood construction company De Coene in the early seventies, was partially dismantled. What used to be the work floor has become an outdoor space that accommodates an arboretum fringed with wild grasses, a swimming pool, bicycle... Read more

The Bourse in Brussels has just reopened its doors, exchanging its status as an urban fortress for that of a genuine public building, given back to the citizen. In doing so, it envisions a highly accessible, vibrant, and diversified future.  The initial request from the international competition was for an ambitious redevelopment of the monument – to improve its accessibility with respect to the pedestrian zone and the Grand Place... Read more

Situated at the head of Spoor Noord, the hospital is a hinge between the park, the docks and the city, and thus benefits from each of their qualities. The limited surface area of the site requires the hospital to be organised vertically. The hospital structure has a clearly discernible layered construction. All outpatient activities with consultation rooms, centres of knowledge and medical technical services are in the lowest section. The various... Read more

This corner building houses an exhibition and event space for Katoen Natie, combined with residential units above. The project is situated adjacent to the company headquarters. The headquarters - which consists of several former port warehouses - was previously renovated by Robbrecht en Daem architecten. The new project visually relates to it as a sort of continuation of the earlier work. The choice of a concrete façade and an aligned cornice... Read more

The project involves the redevelopment of an inner-city block in the centre of Ghent to provide ninety residential units, some new-build and others partially housed in the protected monuments of the former Royal Academy of Fine Arts and fire station. These existing buildings flank a new semi-public interior street that serves as the backbone for the redevelopment of the entire block. The interior walkway connects with two new apartment buildings... Read more

The De Konincksite project is located on the border of Antwerp and Berchem, on the edge of Albert Park. Around the existing city brewery, this area is developing into a fordable 'crafts area' (with a lively programme of small shops) and a residential superstructure (with a hotel and flats).Originally, the adjoining plot with the city brewery (the 'mother site' as it were) was criss-crossed by alleyways and squares. The present design aims to... Read more

Robbrecht en Daem architecten, together with Osar architects, has won the design competition for the Jessa Hospital in Hasselt, Belgium. The design is driven by a renewed search for the human scale of the hospital. In this search a contradictory question arises: how can a hospital with an immense surface area (135,000 m2) achieve the necessary small scale and humanity through its architecture? The response is not to put 'the patient' at its... Read more

Located between the many historical warehouses in the ‘Natiebuurt’ and around the corner from their headquarters, Robbrecht en Daem architecten designed this new residential building for Katoen Natie. On the one hand, the design refers to the surrounding 'warehouse architecture', but it also wants to retain the smaller grain and vertical articulation of the existing terraced houses. The staggered cornice emphasises this verticality and... Read more

After an earlier intervention in the artist's studio and scenographies for his work in Initiatief 86, Documenta IX and De Dingen Die Ik Zie, Robbrecht en Daem architecten were also responsible for the scenography of the middle space of Raoul De Keyser's first posthumous retrospective. This central room became a kaleidoscopic space, a pentagonal form with different sides.... Read more

The open landscape of the IJzerbroeken has a very rich fauna and flora as well as special, historical traces (with the 16th-century Fort De Knokke and the IJzer as a strategic no man's water during WWI). An observation tower at this location aims to show this stratification without disturbing natural life. To this end, a Friendly Tower was designed to be empathetic to visitors, nature and history. The tower is a pentagonal figure that, from... Read more

On the plots of land belonging to the former municipal slaughterhouse in Antwerp's Dam district, a master plan for a new part of the city is unfolding. The design by Robbrecht en Daem architecten includes three buildings within one of the building blocks. This is the first building block that will be built on the site. The head of this building block also marks the beginning of the future park.Despite the differences between the three buildings... Read more

On a picturesque site at the edge of Anderlecht, Robbrecht en Daem architecten will build a new house for the Steiner School Brussels. The design proposes three new volumes built in light wood structure and designed in close harmony with each other. The two longitudinal volumes shelter the classrooms and the third volume welcomes a sports and singing hall. The outside gallery aims to establish connections and sharing between all the classrooms.... Read more

The reconstruction of the Zuidboulevard in Waregem ensures a thorough renovation of the city. The Zuidboulevard is the new gateway to the city and connects the cultural centre De Schakel, the city hall and the new library with each other. Instead of being a cul-de-sac, this renewed boulevard is a turning point, a climax for the previously interrupted loop for shopping, walking and cycling. This transforms the site into an easily navigable place... Read more

De Drie Leeuwen is a project in Vilvoorde consisting of three residential buildings, of which the first phase, a 14 story tower of 70 appartments, has been completed. The project creates a valuable infill at the corner where the Medialaan and Tweeleeuwenweg meet. The completed building is part renovation, part new build whereby the existing apartment block is extended on one side to create a T-shaped plan. A lively facade of balconies on the new... Read more

In the summer of 2013 Robbrecht en Daem architecten realizes a temporary pavilion based on a competition design by Ludwig Mies van der Rohe from 1930. The design, a clubhouse for a golf course in the gently rolling countryside around the former industrial city of Krefeld, Germany, was never built at the time it was designed. Christiane Lange, art historian and curator for ProjektMIK, invited Robbrecht en Daem architecten to design an objet d'... Read more

‘Route N16 – Public Places for Private Experience’ is an exhibition and a pragmatic study that explores the limits and potentialities of public space along the N16. The regional N16 road crosses what we can safely call the heart of the Flemish urban sprawl. Four communes, Bornem, Puurs, Willebroek and Mechelen, all located in the province of Antwerp, are connected by the N16. This road winds through an area that is almost exemplary for... Read more

On top of a polished concrete base raised slightly off the ground, a light, gleaming, green-painted steel construction unfolds to form a shelter to protect delicate works of art. The diagonal lines of passage through this new pavilion interweave Middelheim Park with the Hortifloria Garden, a recent extension of this well-known Antwerp sculpture park. Four vertical recesses provide the entrances to the pavilion, divide the space into four and... Read more

Following two demolition campaigns for a world exhibition in 1913 and an administrative centre never built in the 60s, Ghent’s historic heart degenerated for decades into a desolate parking lot in between a suite of three adjoining Gothic towers. In two consecutive competitions between 1996 and 2005, Robbrecht en Daem architecten and Marie-José Van Hee architects proposed their own programme, countering the initial competition requirement.... Read more

In the redevelopment of the city centre, the restored relationship with the River Lys forms the starting point. The presence of the Lys generates an enormous quality for the city: the watercourse is the bearer of urban identity. The course of the river defines the structure of the city centre. Contact with the Lys is made possible by the construction of a mooring quay, a promenade and a square in front of the Church, located on the bend of the... Read more

Raoul De Keyser’s oeuvre is permeated by an original, internal and inherently spatial constellation. De Keyser’s paintings do not fit within the Renaissance idiom of a window upon an illusory perspective. The paintings shift, glide, oscillate, overlap and, at times, they also fall. Even when they do in fact suggest an architectonic space, a cabinet for example, there is a certain spatial friction. It is precisely this extremely controlled... Read more

The Zwin plain is a border-crossing natural reserve located at the North Sea Coast. Robbrecht en Daem architecten were invited for an Open Competition to provide this natural reserve with new visitors’ facilities. The proposed visitor center comprised of a ticket office, museum shop, auditorium, restaurant, exhibition pavilion and observation pavilions, alongside viewing platforms, vehicle parking and a farm for the maintenance of the estate... Read more

The storehouse for wine barrels, the ‘Chai à barriques’, is entirely underground and is the heart of the building. This reduces the overall height of the building, which keeps its impact on the surroundings to a minimum. Wine production is carried on in the ‘Cuvier‘ on the ground floor, a functional area spanned by a vault of inclined roof planes. Light enters through windows at the corners. A separate tower houses a reception area... Read more

The shopping centre at Sint-Janspoort is a more sustainable counterpart to the large shopping centres on the outskirts of towns and cities and covers a whole block in the historical city centre of Kortrijk. With its interiorised street pattern and monumental atrium – the garden of light – this shopping centre forms a diagonal link between Steenpoort and Veemarkt. The tower closes off one end of the Romeinselaan. The volumetry of the block,... Read more

Making a Masterplan for the City Zoo of Antwerp. This included a multitude of housing for animals, a central children’s pavilion, visitors facilities, an office building, an entrance square, a restaurant and a shop.... Read more

Two new projection halls for the internationally acclaimed Royal Belgian Film Archives have been installed into the excavated volume under Victor Horta’s Centre for Fine Arts. This intervention has made it possible for the ‘Salles des Arts Décoratifs’ to be restored, as defined in the master plan for the restoration of the building. Cinematek’s prominent collection of historical film apparatus is displayed in a Wunderkammer, a free... Read more

Robbrecht en Daem was commissioned by Christiane Lange to design the exhibition of the furnishings and interior spaces that Mies van der Rohe and Lilly Reich had designed for Haus Lange, a building designed by Mies van der Rohe himself. The exhibition was held in the place where only recently this furniture was used on a daily basis. The house has since been converted into a museum and the architecture of Mies van der Rohe has become an object on... Read more

The High Views are two observation towers along a cycling route between Lincoln and Boston, 60 km apart. They mark a place to rest on the banks of the River Witham where one can look out over a landscape that is very varied in its use. The design of the towers is in part based on the churches of the two towns. The meandering vault of Lincoln Cathedral inspired the observation tower in Boston. The stubby parish church of Boston gave rise to the... Read more

A dairy at the foot of the historical castle of Gaasbeek has been converted into accommodation for musicians, with a chamber music hall. The late nineteenth-century front building was transformed into the accommodation; the hall replaces the original small factory shed but adheres to its original outline. The volume is dug deep into a slope into which an open ramp has been cut which then bends over the hall and climbs upwards like a ziggurat and... Read more

Rubens Square is a triangular square with a large opening towards the sea. Two long benches oriented parallel to the water are bordered by a wall of tempered glass which acts as protection from the wind. It is a particularly social place where elderly people often watch children play. The square’s tiles have a mosaic-like pattern with maritime tones that refer to the nearby sea. Blues, grey-greens and whites are interwoven like an abstract... Read more

On ‘t Zand, an open urban space near the station in Bruges, Robbrecht and Daem built a concert hall for Bruges when it was the Cultural Capital of Europe in 2002. Alongside the Halletoren, the Church of Our Lady and St Salvator’s Cathedral, this ‘Concertgebouw’ has become a landmark when driving into the city. A uniform external cladding in terracotta tiles hangs like dignified drapery over the volumes of the concert hall, fly tower and... Read more

An extraordinary play of light is to be found in two of the former harbour warehouses that accommodate the Ka­toennatie in Antwerp. In one of them, domes in alabaster and leaded glass function as new skylights – designed by the Spanish artist Cristina Iglesias – and on top of the other is a roof of wooden slats through which sunlight slips in many layers. A new four-storey building connects the former warehouses. The ensemble of old and new... Read more

The design of the locomotive depot for the collectors Hauser & Wirth is the result of Robbrecht en Daem’s longterm association with artists and artworks. The Lokremise, or Lok depot, was not initially conceived as a museum, but as a collection display. The architecture was imagined in relation to the artworks. From the start, therefore, Paul McCarthy’s toppled studio, known as “The Box”, was included in the project and the architecture was... Read more

Scenography of an exhibition in BOZAR Brussels on Flemish Artists in Rome during the Renaissance... Read more

The Aue pavilions were temporarily built for the hundred days of Documenta IX in Kassel and formed one of the components housing the contemporary art exhibitions. Visited by six hundred thousand people, the pavilions showcased the work of twenty-eight artists. The Building was situated in the extensive baroque park of Friedrichs' Aue's. This park lies sixteen metres below the nearby Friedrichsplatz from where one could look down on the pavilions... Read more

Together with the work of Cristina Iglesias, René Daniëls and Philippe Van Snick, Isa Genzken’s sculptures form a basic component of the double exhibition Floor for a Sculpture, Wall for a Painting which was once described as Robbrecht en Daem’s ‘materialized manifesto’. In the gallery, two sturdy cavity walls were added to the existing architecture, as a resultof which a new corner was created. In one of the exhibitions, Van Snick... Read more

Thanks to the exhibitions Chambres d’Amis and Initiatief ’86, in the summer of 1986 Ghent was transformed into an international centre of contemporary art. For Initiatief ’86, Robbrecht en Daem created a space specifically to exhibit the work of René Heyvaert. A corridor in St.-Pietersabdij was divided into three compartments that kept their distance from the existing architecture. This spatial modification laid the foundations for the... Read more