Positioned on the side and certainly not willing to interfere in Rubens’ famous lines of sight, the new reception building for the Rubenshuis - the house, studio and garden of artist Peter Paul Rubens - is a discrete extension to this historical site. Besides the reception function, it also contains a multimedia experience centre, a museum café, a reading room and the library collection of the Rubenianum, known as the world’s most extensive... Read more

In a working class neigbourhood of Ghent, against the backdrop of nearby blocks of high-rise flats, Robbrecht en Daem converted an existing timber yard into new architectural studios. The roof of the shed, built by the wood construction company De Coene in the early seventies, was partially dismantled. What used to be the work floor has become an outdoor space that accommodates an arboretum fringed with wild grasses, a swimming pool, bicycle... Read more

In order to arrive at a thoughtful strategy that proves itself to be sustainable and intelligent in the long term, a master plan vision for the entire building block was first developed. The proposition of a new wing offers the opportunity to better organise the entire site, to relieve pressure from the interior block and to complement old and new in a targeted way. The ambition was therefore to increase the quality of the 'building as a whole'... Read more

For the redevelopment of the Boerentoren in Antwerp, the central question was how this tower - which previously served mainly as an office building - could optimally exude culture in the future and house the patrimony of The Phoebus Foundation. Robbrecht en Daem's design was built around the democratic idea of making art as accessible as possible. To make art and 'life' coexist.Encounters with art are far from obvious. On the completely open and... Read more

Xavier Hufkens – a leading contemporary art gallery in Europe – reopened its Sint-Jorisstraat gallery in Brussels in the summer of 2022, following a spatial reformulation of the existing flagship gallery with an important new extension by Robbrecht en Daem architecten. The project holds a special connection to the building’s history: thirty years ago, Robbrecht en Daem – in collaboration with Marie-José Van Hee architecten –... Read more

This corner building houses an exhibition and event space for Katoen Natie, combined with residential units above. The project is situated adjacent to the company headquarters. The headquarters - which consists of several former port warehouses - was previously renovated by Robbrecht en Daem architecten. The new project visually relates to it as a sort of continuation of the earlier work. The choice of a concrete façade and an aligned cornice... Read more

Robbrecht en Daem architecten, together with Osar architects, has won the design competition for the Jessa Hospital in Hasselt, Belgium. The design is driven by a renewed search for the human scale of the hospital. In this search a contradictory question arises: how can a hospital with an immense surface area (135,000 m2) achieve the necessary small scale and humanity through its architecture? The response is not to put 'the patient' at its... Read more

Park Abbey is a 12th-century heritage site that is undergoing a complete restoration by Studio Roma. For the design of the circulation within the abbey's eastern (and primarily public) wing, Studio Roma called on Robbrecht en Daem architecten. Within this design, two tower volumes with a pentagonal footprint were chosen as circulation cores. The larger tower in exposed concrete is part of the museum route, and the smaller tower in steel serves as... Read more

The open landscape of the IJzerbroeken, which surrounds the site of the Knokkebrug, inspires passers-by to dream of a higher outlook from which to view the area. The realisation of a watchtower on this spot is an excellent opportunity to expose the strength of the site. The Friendly Tower is a strong, autonomous, pentagonal figure that provides insight from a height into the historical, geometric figures of the environment, to which the... Read more

The new Cera building positions itself carefully within the medieval core of Leuven, opposite the side entrance of the historic town hall and close to the Grote Markt. It constitutes the true ‘heart of the city’. Originally the site consisted of a complex conglomerate of buildings with the Hôtel d'Eynatten from 1760, a neo-Gothic wing from 1917 and a corner building in sober reconstruction architecture from 1948. In order to free up space in... Read more

On a picturesque site at the edge of Anderlecht, Robbrecht en Daem architecten will build a new house for the Steiner School Brussels. The design proposes three new volumes built in light wood structure and designed in close harmony with each other. The two longitudinal volumes shelter the classrooms and the third volume welcomes a sports and singing hall. The outside gallery aims to establish connections and sharing between all the classrooms.... Read more

The extension of the Royal College of Art at Battersea is a piece of art infrastructure. Free ‘platforms’ for creation allow current and future flexibility. As a terraced extension of the street an additional collective space – ‘the Stoa’, encourages interaction between staff, students and researchers. The hybrid nature of its design makes it the focal emblematic space the whole RCA community can associate with – a new identity... Read more

The Halles aux Farines, situated on the right bank of the Garonne, was built along with the construction of the first railway lines and is centrally situated amidst a network of tracks. The former warehouse has been transformed into the municipal archives of Bordeaux, and forms the first link with the future eco-district of Bastide-Niel. The industrial history of the site acquires a new interpretation: the storerooms, where the archive boxes are... Read more

In the summer of 2013 Robbrecht en Daem architecten realizes a temporary pavilion based on a competition design by Ludwig Mies van der Rohe from 1930. The design, a clubhouse for a golf course in the gently rolling countryside around the former industrial city of Krefeld, Germany, was never built at the time it was designed. Christiane Lange, art historian and curator for ProjektMIK, invited Robbrecht en Daem architecten to design an objet d'... Read more

‘Route N16 – Public Places for Private Experience’ is an exhibition and a pragmatic study that explores the limits and potentialities of public space along the N16. The regional N16 road crosses what we can safely call the heart of the Flemish urban sprawl. Four communes, Bornem, Puurs, Willebroek and Mechelen, all located in the province of Antwerp, are connected by the N16. This road winds through an area that is almost exemplary for... Read more

In the redevelopment of the city centre, the restored relationship with the River Lys forms the starting point. The presence of the Lys generates an enormous quality for the city: the watercourse is the bearer of urban identity. The course of the river defines the structure of the city centre. Contact with the Lys is made possible by the construction of a mooring quay, a promenade and a square in front of the Church, located on the bend of the... Read more

Following two demolition campaigns for a world exhibition in 1913 and an administrative centre never built in the 60s, Ghent’s historic heart degenerated for decades into a desolate parking lot in between a suite of three adjoining Gothic towers. In two consecutive competitions between 1996 and 2005, Robbrecht en Daem architecten and Marie-José Van Hee architects proposed their own programme, countering the initial competition requirement.... Read more

On top of a polished concrete base raised slightly off the ground, a light, gleaming, green-painted steel construction unfolds to form a shelter to protect delicate works of art. The diagonal lines of passage through this new pavilion interweave Middelheim Park with the Hortifloria Garden, a recent extension of this well-known Antwerp sculpture park. Four vertical recesses provide the entrances to the pavilion, divide the space into four and... Read more

The storehouse for wine barrels, the ‘Chai à barriques’, is entirely underground and is the heart of the building. This reduces the overall height of the building, which keeps its impact on the surroundings to a minimum. Wine production is carried on in the ‘Cuvier‘ on the ground floor, a functional area spanned by a vault of inclined roof planes. Light enters through windows at the corners. A separate tower houses a reception area... Read more

The Zwin plain is a border-crossing natural reserve located at the North Sea Coast. Robbrecht en Daem architecten were invited for an Open Competition to provide this natural reserve with new visitors’ facilities. The proposed visitor center comprised of a ticket office, museum shop, auditorium, restaurant, exhibition pavilion and observation pavilions, alongside viewing platforms, vehicle parking and a farm for the maintenance of the estate... Read more

Making a Masterplan for the City Zoo of Antwerp. This included a multitude of housing for animals, a central children’s pavilion, visitors facilities, an office building, an entrance square, a restaurant and a shop.... Read more

In the best museums and galleries one finds one's way through a series of rooms, where the artefacts are carefully lit and set off by calm backgrounds. A degree of repetition helps navigation, some variation helps orientation.The proposals for the Whitechapel Art Gallery are bold in their restraint (someone commented: 'where’s the architecture?') and seize a simple but powerful opportunity: lower and upper floors are configured as circuits of... Read more

The High Views are two observation towers along a cycling route between Lincoln and Boston, 60 km apart. They mark a place to rest on the banks of the River Witham where one can look out over a landscape that is very varied in its use. The design of the towers is in part based on the churches of the two towns. The meandering vault of Lincoln Cathedral inspired the observation tower in Boston. The stubby parish church of Boston gave rise to the... Read more

A dairy at the foot of the historical castle of Gaasbeek has been converted into accommodation for musicians, with a chamber music hall. The late nineteenth-century front building was transformed into the accommodation; the hall replaces the original small factory shed but adheres to its original outline. The volume is dug deep into a slope into which an open ramp has been cut which then bends over the hall and climbs upwards like a ziggurat and... Read more

Rubens Square is a triangular square with a large opening towards the sea. Two long benches oriented parallel to the water are bordered by a wall of tempered glass which acts as protection from the wind. It is a particularly social place where elderly people often watch children play. The square’s tiles have a mosaic-like pattern with maritime tones that refer to the nearby sea. Blues, grey-greens and whites are interwoven like an abstract... Read more

A complex but recognisable setting is composed of a church, a vicarage, a glebe, a brick silo, a brewery, and above all a set of large trees. In short, an idyllic and typical Flemish landscape that somehow predates the Second World War neither touched nor spoiled. In all its aristocratic allure, the 18th-century vicarage exudes a forgotten past that poses a real challenge to all things new. The humble garden walls form a dominant role in the... Read more

The Boijmans Van Beuningen Museum in Rotterdam is a complex amalgam of sections all built at different times. The extension by Robbrecht en Daem makes the museum into a single entity again. Green-tinted glass sheets introduce a rhythm into the façade that looks austere and elegant, but its layering also gives a hint of the complexity of the building. Inside, there is a striking link between Adrianus Van der Steur’s 1935 brick building and the... Read more

The nineteenth-century, rather dark mansion with a narrow, long city garden in the center was transformed into a contemporary light-filled residence with a pharmacy. Above the renovated pharmacy and between the volumes of the main building, a patio gives a view of the tower of the 18th-century baroque church through wall-high windows, while a skylight brings daylight into the pharmacy workspace. The patio is like a heart between the various... Read more

The building trade and the social situation in the early years of our practice were such that the majority of our commissions consisted of interventions to existing buildings or spatial redesigns of building complexes. In this way we contributed to the sum total of the building activity which - in an on-going interrelationship of action and reception produced a considerable material output at that time. We perceive that totality as primary matter... Read more

A penthouse was built on top of an industrial building with an art nouveau facade. This glass pavilion forms a still-life on the roof together with the technical installations enclosed inside a grating, and Isa Genzken’s work of art Camera. The frame of the work of art emphasises the role the flat plays as an observatory overlooking the town.... Read more