Positioned on the side and certainly not willing to interfere in Rubens’ famous lines of sight, the new reception building for the Rubenshuis - the house, studio and garden of artist Peter Paul Rubens - is a discrete extension to this historical site. Besides the reception function, it also contains a multimedia experience centre, a museum café, a reading room and the library collection of the Rubenianum, known as the world’s most extensive... Read more

In a working class neigbourhood of Ghent, against the backdrop of nearby blocks of high-rise flats, Robbrecht en Daem converted an existing timber yard into new architectural studios. The roof of the shed, built by the wood construction company De Coene in the early seventies, was partially dismantled. What used to be the work floor has become an outdoor space that accommodates an arboretum fringed with wild grasses, a swimming pool, bicycle... Read more

The project Huis aan de Kade - which is part of the larger urban development project Nieuw Zuid - is a U-shaped residential building along the Scheldt. The building block is flanked by an ample amount of greenery: in addition to the public inner garden, the project also has winter and roof gardens. The rather massive façade on the one hand and the light walls of the winter gardens on the other interact to create an overall balanced appearance.&... Read more

In order to arrive at a thoughtful strategy that proves itself to be sustainable and intelligent in the long term, a master plan vision for the entire building block was first developed. The proposition of a new wing offers the opportunity to better organise the entire site, to relieve pressure from the interior block and to complement old and new in a targeted way. The ambition was therefore to increase the quality of the 'building as a whole'... Read more

For the redevelopment of the Boerentoren in Antwerp, the central question was how this tower - which previously served mainly as an office building - could optimally exude culture in the future and house the patrimony of The Phoebus Foundation. Robbrecht en Daem's design was built around the democratic idea of making art as accessible as possible. To make art and 'life' coexist.Encounters with art are far from obvious. On the completely open and... Read more

Xavier Hufkens – a leading contemporary art gallery in Europe – reopened its Sint-Jorisstraat gallery in Brussels in the summer of 2022, following a spatial reformulation of the existing flagship gallery with an important new extension by Robbrecht en Daem architecten. The project holds a special connection to the building’s history: thirty years ago, Robbrecht en Daem – in collaboration with Marie-José Van Hee architecten –... Read more

This corner building houses an exhibition and event space for Katoen Natie, combined with residential units above. The project is situated adjacent to the company headquarters. The headquarters - which consists of several former port warehouses - was previously renovated by Robbrecht en Daem architecten. The new project visually relates to it as a sort of continuation of the earlier work. The choice of a concrete façade and an aligned cornice... Read more

The De Konincksite project is located on the border of Antwerp and Berchem, on the edge of Albert Park. Around the existing city brewery, this area is developing into a fordable 'crafts area' (with a lively programme of small shops) and a residential superstructure (with a hotel and flats).Originally, the adjoining plot with the city brewery (the 'mother site' as it were) was criss-crossed by alleyways and squares. The present design aims to... Read more

Park Abbey is a 12th-century heritage site that is undergoing a complete restoration by Studio Roma. For the design of the circulation within the abbey's eastern (and primarily public) wing, Studio Roma called on Robbrecht en Daem architecten. Within this design, two tower volumes with a pentagonal footprint were chosen as circulation cores. The larger tower in exposed concrete is part of the museum route, and the smaller tower in steel serves as... Read more

The new Cera building positions itself carefully within the medieval core of Leuven, opposite the side entrance of the historic town hall and close to the Grote Markt. It constitutes the true ‘heart of the city’. Originally the site consisted of a complex conglomerate of buildings with the Hôtel d'Eynatten from 1760, a neo-Gothic wing from 1917 and a corner building in sober reconstruction architecture from 1948. In order to free up space in... Read more

On a picturesque site at the edge of Anderlecht, Robbrecht en Daem architecten will build a new house for the Steiner School Brussels. The design proposes three new volumes built in light wood structure and designed in close harmony with each other. The two longitudinal volumes shelter the classrooms and the third volume welcomes a sports and singing hall. The outside gallery aims to establish connections and sharing between all the classrooms.... Read more

The extension of the Royal College of Art at Battersea is a piece of art infrastructure. Free ‘platforms’ for creation allow current and future flexibility. As a terraced extension of the street an additional collective space – ‘the Stoa’, encourages interaction between staff, students and researchers. The hybrid nature of its design makes it the focal emblematic space the whole RCA community can associate with – a new identity... Read more

The Halles aux Farines, situated on the right bank of the Garonne, was built along with the construction of the first railway lines and is centrally situated amidst a network of tracks. The former warehouse has been transformed into the municipal archives of Bordeaux, and forms the first link with the future eco-district of Bastide-Niel. The industrial history of the site acquires a new interpretation: the storerooms, where the archive boxes are... Read more

Mobile radio studio that was designed for the radio programme Pompidou and set up in various places in Brussels during the Klara Festival of 2014. The studio consists of four triptychs, a table and a projection standard. Due to the flexibility of the screens, the intimacy of the space and the program is determined. The design is supposed to stimulate a conversation that happens between a few people but can be heard by thousands who do not know... Read more

On top of a polished concrete base raised slightly off the ground, a light, gleaming, green-painted steel construction unfolds to form a shelter to protect delicate works of art. The diagonal lines of passage through this new pavilion interweave Middelheim Park with the Hortifloria Garden, a recent extension of this well-known Antwerp sculpture park. Four vertical recesses provide the entrances to the pavilion, divide the space into four and... Read more

In the best museums and galleries one finds one's way through a series of rooms, where the artefacts are carefully lit and set off by calm backgrounds. A degree of repetition helps navigation, some variation helps orientation.The proposals for the Whitechapel Art Gallery are bold in their restraint (someone commented: 'where’s the architecture?') and seize a simple but powerful opportunity: lower and upper floors are configured as circuits of... Read more

This garden house with swimming pool is a two-storey wooden structure with an irregular floor plan. The load-bear­ing wooden beams form a pattern of adjoining triangles. A sculptural hearth element runs up through the volume as a solid supporting pillar. On the ground floor there are changing rooms, a sauna and a hammam, and upstairs a flat with kitchen. The roof is fitted out as a terrace amidst the treetops.... Read more

A dairy at the foot of the historical castle of Gaasbeek has been converted into accommodation for musicians, with a chamber music hall. The late nineteenth-century front building was transformed into the accommodation; the hall replaces the original small factory shed but adheres to its original outline. The volume is dug deep into a slope into which an open ramp has been cut which then bends over the hall and climbs upwards like a ziggurat and... Read more

A complex but recognisable setting is composed of a church, a vicarage, a glebe, a brick silo, a brewery, and above all a set of large trees. In short, an idyllic and typical Flemish landscape that somehow predates the Second World War neither touched nor spoiled. In all its aristocratic allure, the 18th-century vicarage exudes a forgotten past that poses a real challenge to all things new. The humble garden walls form a dominant role in the... Read more

The Boijmans Van Beuningen Museum in Rotterdam is a complex amalgam of sections all built at different times. The extension by Robbrecht en Daem makes the museum into a single entity again. Green-tinted glass sheets introduce a rhythm into the façade that looks austere and elegant, but its layering also gives a hint of the complexity of the building. Inside, there is a striking link between Adrianus Van der Steur’s 1935 brick building and the... Read more

A wooden walkway, which descends from a platform to the small valley behind a villa in southern Flanders, leads to the Woodland Cabin, a distant relative of the igloo and the small buildings one comes across in the mountains everywhere in the world. On a platform next to a pond, wooden blocks have been stacked to form a two-lobed space that is closed off with a glass wall and door. Beams that fan out support a green roof from which emerges the... Read more

The nineteenth-century, rather dark mansion with a narrow, long city garden in the center was transformed into a contemporary light-filled residence with a pharmacy. Above the renovated pharmacy and between the volumes of the main building, a patio gives a view of the tower of the 18th-century baroque church through wall-high windows, while a skylight brings daylight into the pharmacy workspace. The patio is like a heart between the various... Read more

In the Canal Houses apartment building – designed by Robbrecht and Daem architecten – a three-story penthouse apartment was also furnished by the architects. The sober and warm design is achieved through the textures and colors of the materials. A striking feature is the floor in light gray Piedmont Serena, which is a neutral base for the installation of artworks. An oak staircase connects the two other levels where the floor is also in oak... Read more

In 1992, on the occasion of the Olympic Games in Barcelona, Robbrecht en Daem architecten collaborated with Juan Muñoz to create a pavilion titled the House Where It Always Rains. Pavilions are structures where art and architecture come together in the heady pursuit of pure experimentation. Somewhere between a folly and a model, the pavilion is an actual space, constructed so it can be occupied and looked at; but it has no apparent purpose.... Read more

The building trade and the social situation in the early years of our practice were such that the majority of our commissions consisted of interventions to existing buildings or spatial redesigns of building complexes. In this way we contributed to the sum total of the building activity which - in an on-going interrelationship of action and reception produced a considerable material output at that time. We perceive that totality as primary matter... Read more

A penthouse was built on top of an industrial building with an art nouveau facade. This glass pavilion forms a still-life on the roof together with the technical installations enclosed inside a grating, and Isa Genzken’s work of art Camera. The frame of the work of art emphasises the role the flat plays as an observatory overlooking the town.... Read more