Positioned on the side and certainly not willing to interfere in Rubens’ famous lines of sight, the new reception building for the Rubenshuis - the house, studio and garden of artist Peter Paul Rubens - is a discrete extension to this historical site. Besides the reception function, it also contains a multimedia experience centre, a museum café, a reading room and the library collection of the Rubenianum, known as the world’s most extensive... Read more

On an old industrial site near the Leuven Vaartkom and the Small Beguinage, we find the Bottelarij residential site. The design for this residential site was strongly influenced by its historical neighbour, the beguinage. (A side note: a beguinage is a typical Flemish way of living where single women from the 13th century onwards lived in community yet retained their own individuality. It was a very early form of independent living for women that... Read more

In a working class neigbourhood of Ghent, against the backdrop of nearby blocks of high-rise flats, Robbrecht en Daem converted an existing timber yard into new architectural studios. The roof of the shed, built by the wood construction company De Coene in the early seventies, was partially dismantled. What used to be the work floor has become an outdoor space that accommodates an arboretum fringed with wild grasses, a swimming pool, bicycle... Read more

The Bourse in Brussels has just reopened its doors, exchanging its status as an urban fortress for that of a genuine public building, given back to the citizen. In doing so, it envisions a highly accessible, vibrant, and diversified future.  The initial request from the international competition was for an ambitious redevelopment of the monument – to improve its accessibility with respect to the pedestrian zone and the Grand Place... Read more

Stokerij - the Dutch word for ‘distillery’ - Ateliers and Housing are part of the new urban development of the Dijledelta in Leuven. The Ateliers are located on the site of the former Stella Artois brewery, while the residential area is situated in between the former brewery and an old water tower.The original building of the brewery was a robust brick ruin refined with industrial art-deco details. The design for the renovation and re-... Read more

Xavier Hufkens – a leading contemporary art gallery in Europe – reopened its Sint-Jorisstraat gallery in Brussels in the summer of 2022, following a spatial reformulation of the existing flagship gallery with an important new extension by Robbrecht en Daem architecten. The project holds a special connection to the building’s history: thirty years ago, Robbrecht en Daem – in collaboration with Marie-José Van Hee architecten –... Read more

‘No space, architecturally, is a space unless it has natural light.’ - Louis Kahn On a site on the Garenmarkt, next to the Groeningemuseum, a new exhibition hall will be erected by the end of 2024 that will house two museum spaces and opens out onto a new park. The exhibition areas will be constructed at a raised level and will be separated from each other by a public passageway (Scala Grande), so that an open, transparent and freely... Read more

3 Fonteinen is a traditional lambic and gueuze brewery with a long history dating back to 1887. It is known for its adherence to heritage, honest production methods and the place it has held for years in the top 50 best breweries in the world.Today, the brewery is located 'on top of the mountain' in the village centre of Beersel, while the wooden casks are located 'down below' in Lot, next to the Senne. It is in this latter location that 3... Read more

The new Cera building positions itself carefully within the medieval core of Leuven, opposite the side entrance of the historic town hall and close to the Grote Markt. It constitutes the true ‘heart of the city’. Originally the site consisted of a complex conglomerate of buildings with the Hôtel d'Eynatten from 1760, a neo-Gothic wing from 1917 and a corner building in sober reconstruction architecture from 1948. In order to free up space in... Read more

The Halles aux Farines, situated on the right bank of the Garonne, was built along with the construction of the first railway lines and is centrally situated amidst a network of tracks. The former warehouse has been transformed into the municipal archives of Bordeaux, and forms the first link with the future eco-district of Bastide-Niel. The industrial history of the site acquires a new interpretation: the storerooms, where the archive boxes are... Read more

The general concept of the design focuses on the various ways of experiencing art. Three museological rooms, heart of the Udarnik project, differ regarding user experiences. Large differences of scale and light atmosphere stimulate the museological experience. The three exhibition rooms are modules that can be arranged differently, this ensures the flexibility and continuity of Udarnik: The Incubator on the groundfloor, a central hall as a free... Read more

In the summer of 2013 Robbrecht en Daem architecten realizes a temporary pavilion based on a competition design by Ludwig Mies van der Rohe from 1930. The design, a clubhouse for a golf course in the gently rolling countryside around the former industrial city of Krefeld, Germany, was never built at the time it was designed. Christiane Lange, art historian and curator for ProjektMIK, invited Robbrecht en Daem architecten to design an objet d'... Read more

On top of a polished concrete base raised slightly off the ground, a light, gleaming, green-painted steel construction unfolds to form a shelter to protect delicate works of art. The diagonal lines of passage through this new pavilion interweave Middelheim Park with the Hortifloria Garden, a recent extension of this well-known Antwerp sculpture park. Four vertical recesses provide the entrances to the pavilion, divide the space into four and... Read more

Two new projection halls for the internationally acclaimed Royal Belgian Film Archives have been installed into the excavated volume under Victor Horta’s Centre for Fine Arts. This intervention has made it possible for the ‘Salles des Arts Décoratifs’ to be restored, as defined in the master plan for the restoration of the building. Cinematek’s prominent collection of historical film apparatus is displayed in a Wunderkammer, a free... Read more

In the best museums and galleries one finds one's way through a series of rooms, where the artefacts are carefully lit and set off by calm backgrounds. A degree of repetition helps navigation, some variation helps orientation.The proposals for the Whitechapel Art Gallery are bold in their restraint (someone commented: 'where’s the architecture?') and seize a simple but powerful opportunity: lower and upper floors are configured as circuits of... Read more

Refurbishment of the entrance hall and auditorium in the Royal Museum for Fine Arts Antwerp (KMSKA). This included the reception desk, benches, signalisation in the entrance hall, lectern, speaker’s desk and the separation wall in the auditorium.... Read more

The Antwerp City Archives are housed in the 20.000 m2 Sint-Felix Warehouse, an icon of historical harbour architecture in Antwerp. The project involved the construction of concrete containers on the upper six storeys, for the conservation of documents from the city’s archives. On the top floor, a new oak roof structure accommodates reading and study rooms around three large, well-lit light wells. Access from the city is via a semi-public... Read more

The Boijmans Van Beuningen Museum in Rotterdam is a complex amalgam of sections all built at different times. The extension by Robbrecht en Daem makes the museum into a single entity again. Green-tinted glass sheets introduce a rhythm into the façade that looks austere and elegant, but its layering also gives a hint of the complexity of the building. Inside, there is a striking link between Adrianus Van der Steur’s 1935 brick building and the... Read more

On ‘t Zand, an open urban space near the station in Bruges, Robbrecht and Daem built a concert hall for Bruges when it was the Cultural Capital of Europe in 2002. Alongside the Halletoren, the Church of Our Lady and St Salvator’s Cathedral, this ‘Concertgebouw’ has become a landmark when driving into the city. A uniform external cladding in terracotta tiles hangs like dignified drapery over the volumes of the concert hall, fly tower and... Read more

The design of the locomotive depot for the collectors Hauser & Wirth is the result of Robbrecht en Daem’s longterm association with artists and artworks. The Lokremise, or Lok depot, was not initially conceived as a museum, but as a collection display. The architecture was imagined in relation to the artworks. From the start, therefore, Paul McCarthy’s toppled studio, known as “The Box”, was included in the project and the architecture was... Read more

An extraordinary play of light is to be found in two of the former harbour warehouses that accommodate the Ka­toennatie in Antwerp. In one of them, domes in alabaster and leaded glass function as new skylights – designed by the Spanish artist Cristina Iglesias – and on top of the other is a roof of wooden slats through which sunlight slips in many layers. A new four-storey building connects the former warehouses. The ensemble of old and new... Read more

The Aue pavilions were temporarily built for the hundred days of Documenta IX in Kassel and formed one of the components housing the contemporary art exhibitions. Visited by six hundred thousand people, the pavilions showcased the work of twenty-eight artists. The Building was situated in the extensive baroque park of Friedrichs' Aue's. This park lies sixteen metres below the nearby Friedrichsplatz from where one could look down on the pavilions... Read more

Together with the work of Cristina Iglesias, René Daniëls and Philippe Van Snick, Isa Genzken’s sculptures form a basic component of the double exhibition Floor for a Sculpture, Wall for a Painting which was once described as Robbrecht en Daem’s ‘materialized manifesto’. In the gallery, two sturdy cavity walls were added to the existing architecture, as a resultof which a new corner was created. In one of the exhibitions, Van Snick... Read more