In order to arrive at a thoughtful strategy that proves itself to be sustainable and intelligent in the long term, a master plan vision for the entire building block was first developed. The proposition of a new wing offers the opportunity to better organise the entire site, to relieve pressure from the interior block and to complement old and new in a targeted way. The ambition was therefore to increase the quality of the 'building as a whole'... Read more

Situated at the head of Spoor Noord, the hospital is a hinge between the park, the docks and the city, and thus benefits from each of their qualities. The limited surface area of the site requires the hospital to be organised vertically. The hospital structure has a clearly discernible layered construction. All outpatient activities with consultation rooms, centres of knowledge and medical technical services are in the lowest section. The various... Read more

On the banks of the channel running through Brussels, this layered project combines a gymnasium, 16m high indoor & outdoor climbing facilities , a multipurpose sports hall and padel fields on top. The aim of the design is to inscribe itself in the specific context and thus increase the cohesion of the canal area, strengthen its identity and give extra quality to the public and open spaces. A public balcony, a kiosk, a viewpoint and cafétaria... Read more

‘No space, architecturally, is a space unless it has natural light.’ - Louis Kahn On a site on the Garenmarkt, next to the Groeningemuseum, a new exhibition hall will be erected by the end of 2024 that will house two museum spaces and opens out onto a new park. The exhibition areas will be constructed at a raised level and will be separated from each other by a public passageway (Scala Grande), so that an open, transparent and freely... Read more

The open landscape of the IJzerbroeken, which surrounds the site of the Knokkebrug, inspires passers-by to dream of a higher outlook from which to view the area. The realisation of a watchtower on this spot is an excellent opportunity to expose the strength of the site. The Friendly Tower is a strong, autonomous, pentagonal figure that provides insight from a height into the historical, geometric figures of the environment, to which the... Read more

Clad in a crystalline skin of structured glass and brass-coloured anodized aluminium frames, this park building is embedded in the variable topography of its site, with each side responding to a different context. Whereas the long facade addresses the longitude of the park and the frontality of the ‘Ereperk der Gefusilleerden’, a military cemetery for both World Wars, the northern volume anchors the building in the urban fabric... Read more

With the Bozar Café, Robbrecht en Daem architecten aimed to create a world in all modesty, a kind of microcosm or universe. To give the visitor an experience. A returning aspect in the interiors of the café, the book shop and the box office are the 'circles' - like the form of chandeliers and mirrors - that generate a 'kind of planetarium with sunsets and sunrises'. The choice of materials, such as the dark green granite and leather benches,... Read more

The foldable ‘Ta Tisch Table’ was originally designed for the architects’ travelling exhibition Pacing through Architecture (2012). Made for laying out the drawings, sketches and photographs of their projects, these pieces were constructed in birch plywood measuring 112cm by 303cm, resting on two elegant legs in the same material, which can be folded flat on hinges under the desk. The furniture touches the floor on two linear surfaces; the... Read more

In the new clubhouse for the Winge Golf and Country Club, the relationship between inside and outside is crucial, as is the merging of the functional and the scenic. The white building envelops the entire environment, like a warm white blanket over the gently sloping terrain. Two separate building volumes are connected by a continuously sloping concrete roof, accommodating all practical functions such as tee-off and practice rooms on the one hand... Read more

Mobile radio studio that was designed for the radio programme Pompidou and set up in various places in Brussels during the Klara Festival of 2014. The studio consists of four triptychs, a table and a projection standard. Due to the flexibility of the screens, the intimacy of the space and the program is determined. The design is supposed to stimulate a conversation that happens between a few people but can be heard by thousands who do not know... Read more

On top of a polished concrete base raised slightly off the ground, a light, gleaming, green-painted steel construction unfolds to form a shelter to protect delicate works of art. The diagonal lines of passage through this new pavilion interweave Middelheim Park with the Hortifloria Garden, a recent extension of this well-known Antwerp sculpture park. Four vertical recesses provide the entrances to the pavilion, divide the space into four and... Read more

In the redevelopment of the city centre, the restored relationship with the River Lys forms the starting point. The presence of the Lys generates an enormous quality for the city: the watercourse is the bearer of urban identity. The course of the river defines the structure of the city centre. Contact with the Lys is made possible by the construction of a mooring quay, a promenade and a square in front of the Church, located on the bend of the... Read more

Following two demolition campaigns for a world exhibition in 1913 and an administrative centre never built in the 60s, Ghent’s historic heart degenerated for decades into a desolate parking lot in between a suite of three adjoining Gothic towers. In two consecutive competitions between 1996 and 2005, Robbrecht en Daem architecten and Marie-José Van Hee architects proposed their own programme, countering the initial competition requirement.... Read more

The Zwin plain is a border-crossing natural reserve located at the North Sea Coast. Robbrecht en Daem architecten were invited for an Open Competition to provide this natural reserve with new visitors’ facilities. The proposed visitor center comprised of a ticket office, museum shop, auditorium, restaurant, exhibition pavilion and observation pavilions, alongside viewing platforms, vehicle parking and a farm for the maintenance of the estate... Read more

Making a Masterplan for the City Zoo of Antwerp. This included a multitude of housing for animals, a central children’s pavilion, visitors facilities, an office building, an entrance square, a restaurant and a shop.... Read more

The High Views are two observation towers along a cycling route between Lincoln and Boston, 60 km apart. They mark a place to rest on the banks of the River Witham where one can look out over a landscape that is very varied in its use. The design of the towers is in part based on the churches of the two towns. The meandering vault of Lincoln Cathedral inspired the observation tower in Boston. The stubby parish church of Boston gave rise to the... Read more

The dovecote in the forestry area in Dorst stands in a clearing in the wood, next to a stream in which it is reflected. The way the stones are stacked leaves edges and angles on which the birds can sit. There are occasional gaps too, where a stone has been left out so that the birds can get inside to sit on bars. The dovecote is built in blocks of Pietra di Vicenza, a calcareous sandstone from Italy.... Read more

This garden house with swimming pool is a two-storey wooden structure with an irregular floor plan. The load-bear­ing wooden beams form a pattern of adjoining triangles. A sculptural hearth element runs up through the volume as a solid supporting pillar. On the ground floor there are changing rooms, a sauna and a hammam, and upstairs a flat with kitchen. The roof is fitted out as a terrace amidst the treetops.... Read more

Rubens Square is a triangular square with a large opening towards the sea. Two long benches oriented parallel to the water are bordered by a wall of tempered glass which acts as protection from the wind. It is a particularly social place where elderly people often watch children play. The square’s tiles have a mosaic-like pattern with maritime tones that refer to the nearby sea. Blues, grey-greens and whites are interwoven like an abstract... Read more

The ‘Ligeti bench’, which was designed for the foyers of the Concert Hall in Bruges (1999– 2002), ranks as one of the most empathically coloured designs of Robbrecht en Daem. This piece derived from the idea of introducing lightness as a contrast to the rigid concrete interiors of the building. A low, deep bench was designed and painted in stripes, with a colour composition inspired by the precisely conceived Farbenklavier of Le Corbusier.... Read more

A wooden walkway, which descends from a platform to the small valley behind a villa in southern Flanders, leads to the Woodland Cabin, a distant relative of the igloo and the small buildings one comes across in the mountains everywhere in the world. On a platform next to a pond, wooden blocks have been stacked to form a two-lobed space that is closed off with a glass wall and door. Beams that fan out support a green roof from which emerges the... Read more

On ‘t Zand, an open urban space near the station in Bruges, Robbrecht and Daem built a concert hall for Bruges when it was the Cultural Capital of Europe in 2002. Alongside the Halletoren, the Church of Our Lady and St Salvator’s Cathedral, this ‘Concertgebouw’ has become a landmark when driving into the city. A uniform external cladding in terracotta tiles hangs like dignified drapery over the volumes of the concert hall, fly tower and... Read more

The garden pavilion in Vosselare was the first in a series of small architectural objects. In the studio of Robbrecht en Daem, these small structures give rise to a reflection on their position as architects and the status of architecture as such. In connection with this project, Juan Muñoz wrote ‘Estimado Amigo’.... Read more

In 1992, on the occasion of the Olympic Games in Barcelona, Robbrecht en Daem architecten collaborated with Juan Muñoz to create a pavilion titled the House Where It Always Rains. Pavilions are structures where art and architecture come together in the heady pursuit of pure experimentation. Somewhere between a folly and a model, the pavilion is an actual space, constructed so it can be occupied and looked at; but it has no apparent purpose.... Read more

The Aue pavilions were temporarily built for the hundred days of Documenta IX in Kassel and formed one of the components housing the contemporary art exhibitions. Visited by six hundred thousand people, the pavilions showcased the work of twenty-eight artists. The Building was situated in the extensive baroque park of Friedrichs' Aue's. This park lies sixteen metres below the nearby Friedrichsplatz from where one could look down on the pavilions... Read more

A penthouse was built on top of an industrial building with an art nouveau facade. This glass pavilion forms a still-life on the roof together with the technical installations enclosed inside a grating, and Isa Genzken’s work of art Camera. The frame of the work of art emphasises the role the flat plays as an observatory overlooking the town.... Read more