Positioned on the side and certainly not willing to interfere in Rubens’ famous lines of sight, the new reception building for the Rubenshuis - the house, studio and garden of artist Peter Paul Rubens - is a discrete extension to this historical site. Besides the reception function, it also contains a multimedia experience centre, a museum café, a reading room and the library collection of the Rubenianum, known as the world’s most extensive... Read more

In a working class neigbourhood of Ghent, against the backdrop of nearby blocks of high-rise flats, Robbrecht en Daem converted an existing timber yard into new architectural studios. The roof of the shed, built by the wood construction company De Coene in the early seventies, was partially dismantled. What used to be the work floor has become an outdoor space that accommodates an arboretum fringed with wild grasses, a swimming pool, bicycle... Read more

The Bourse in Brussels has just reopened its doors, exchanging its status as an urban fortress for that of a genuine public building, given back to the citizen. In doing so, it envisions a highly accessible, vibrant, and diversified future.  The initial request from the international competition was for an ambitious redevelopment of the monument – to improve its accessibility with respect to the pedestrian zone and the Grand Place... Read more

Stokerij - the Dutch word for ‘distillery’ - Ateliers and Housing are part of the new urban development of the Dijledelta in Leuven. The Ateliers are located on the site of the former Stella Artois brewery, while the residential area is situated in between the former brewery and an old water tower.The original building of the brewery was a robust brick ruin refined with industrial art-deco details. The design for the renovation and re-... Read more

For the redevelopment of the Boerentoren in Antwerp, the central question was how this tower - which previously served mainly as an office building - could optimally exude culture in the future and house the patrimony of The Phoebus Foundation. Robbrecht en Daem's design was built around the democratic idea of making art as accessible as possible. To make art and 'life' coexist.Encounters with art are far from obvious. On the completely open and... Read more

Xavier Hufkens – a leading contemporary art gallery in Europe – reopened its Sint-Jorisstraat gallery in Brussels in the summer of 2022, following a spatial reformulation of the existing flagship gallery with an important new extension by Robbrecht en Daem architecten. The project holds a special connection to the building’s history: thirty years ago, Robbrecht en Daem – in collaboration with Marie-José Van Hee architecten –... Read more

This corner building houses an exhibition and event space for Katoen Natie, combined with residential units above. The project is situated adjacent to the company headquarters. The headquarters - which consists of several former port warehouses - was previously renovated by Robbrecht en Daem architecten. The new project visually relates to it as a sort of continuation of the earlier work. The choice of a concrete façade and an aligned cornice... Read more

Located between the many historical warehouses in the ‘Natiebuurt’ and around the corner from their headquarters, Robbrecht en Daem architecten designed this new residential building for Katoen Natie. On the one hand, the design refers to the surrounding 'warehouse architecture', but it also wants to retain the smaller grain and vertical articulation of the existing terraced houses. The staggered cornice emphasises this verticality and... Read more

‘No space, architecturally, is a space unless it has natural light.’ - Louis Kahn On a site on the Garenmarkt, next to the Groeningemuseum, a new exhibition hall will be erected by the end of 2024 that will house two museum spaces and opens out onto a new park. The exhibition areas will be constructed at a raised level and will be separated from each other by a public passageway (Scala Grande), so that an open, transparent and freely... Read more

Park Abbey is a 12th-century heritage site that is undergoing a complete restoration by Studio Roma. For the design of the circulation within the abbey's eastern (and primarily public) wing, Studio Roma called on Robbrecht en Daem architecten. Within this design, two tower volumes with a pentagonal footprint were chosen as circulation cores. The larger tower in exposed concrete is part of the museum route, and the smaller tower in steel serves as... Read more

Clad in a crystalline skin of structured glass and brass-coloured anodized aluminium frames, this park building is embedded in the variable topography of its site, with each side responding to a different context. Whereas the long facade addresses the longitude of the park and the frontality of the ‘Ereperk der Gefusilleerden’, a military cemetery for both World Wars, the northern volume anchors the building in the urban fabric... Read more

The new Cera building positions itself carefully within the medieval core of Leuven, opposite the side entrance of the historic town hall and close to the Grote Markt. It constitutes the true ‘heart of the city’. Originally the site consisted of a complex conglomerate of buildings with the Hôtel d'Eynatten from 1760, a neo-Gothic wing from 1917 and a corner building in sober reconstruction architecture from 1948. In order to free up space in... Read more

3 Fonteinen is a traditional lambic and gueuze brewery with a long history dating back to 1887. It is known for its adherence to heritage, honest production methods and the place it has held for years in the top 50 best breweries in the world.Today, the brewery is located 'on top of the mountain' in the village centre of Beersel, while the wooden casks are located 'down below' in Lot, next to the Senne. It is in this latter location that 3... Read more

The general concept of the design focuses on the various ways of experiencing art. Three museological rooms, heart of the Udarnik project, differ regarding user experiences. Large differences of scale and light atmosphere stimulate the museological experience. The three exhibition rooms are modules that can be arranged differently, this ensures the flexibility and continuity of Udarnik: The Incubator on the groundfloor, a central hall as a free... Read more

In the summer of 2013 Robbrecht en Daem architecten realizes a temporary pavilion based on a competition design by Ludwig Mies van der Rohe from 1930. The design, a clubhouse for a golf course in the gently rolling countryside around the former industrial city of Krefeld, Germany, was never built at the time it was designed. Christiane Lange, art historian and curator for ProjektMIK, invited Robbrecht en Daem architecten to design an objet d'... Read more

In the best museums and galleries one finds one's way through a series of rooms, where the artefacts are carefully lit and set off by calm backgrounds. A degree of repetition helps navigation, some variation helps orientation.The proposals for the Whitechapel Art Gallery are bold in their restraint (someone commented: 'where’s the architecture?') and seize a simple but powerful opportunity: lower and upper floors are configured as circuits of... Read more

Two new projection halls for the internationally acclaimed Royal Belgian Film Archives have been installed into the excavated volume under Victor Horta’s Centre for Fine Arts. This intervention has made it possible for the ‘Salles des Arts Décoratifs’ to be restored, as defined in the master plan for the restoration of the building. Cinematek’s prominent collection of historical film apparatus is displayed in a Wunderkammer, a free... Read more

Refurbishment of the entrance hall and auditorium in the Royal Museum for Fine Arts Antwerp (KMSKA). This included the reception desk, benches, signalisation in the entrance hall, lectern, speaker’s desk and the separation wall in the auditorium.... Read more

The dovecote in the forestry area in Dorst stands in a clearing in the wood, next to a stream in which it is reflected. The way the stones are stacked leaves edges and angles on which the birds can sit. There are occasional gaps too, where a stone has been left out so that the birds can get inside to sit on bars. The dovecote is built in blocks of Pietra di Vicenza, a calcareous sandstone from Italy.... Read more

The Boijmans Van Beuningen Museum in Rotterdam is a complex amalgam of sections all built at different times. The extension by Robbrecht en Daem makes the museum into a single entity again. Green-tinted glass sheets introduce a rhythm into the façade that looks austere and elegant, but its layering also gives a hint of the complexity of the building. Inside, there is a striking link between Adrianus Van der Steur’s 1935 brick building and the... Read more

On ‘t Zand, an open urban space near the station in Bruges, Robbrecht and Daem built a concert hall for Bruges when it was the Cultural Capital of Europe in 2002. Alongside the Halletoren, the Church of Our Lady and St Salvator’s Cathedral, this ‘Concertgebouw’ has become a landmark when driving into the city. A uniform external cladding in terracotta tiles hangs like dignified drapery over the volumes of the concert hall, fly tower and... Read more

An extraordinary play of light is to be found in two of the former harbour warehouses that accommodate the Ka­toennatie in Antwerp. In one of them, domes in alabaster and leaded glass function as new skylights – designed by the Spanish artist Cristina Iglesias – and on top of the other is a roof of wooden slats through which sunlight slips in many layers. A new four-storey building connects the former warehouses. The ensemble of old and new... Read more

In 1992, on the occasion of the Olympic Games in Barcelona, Robbrecht en Daem architecten collaborated with Juan Muñoz to create a pavilion titled the House Where It Always Rains. Pavilions are structures where art and architecture come together in the heady pursuit of pure experimentation. Somewhere between a folly and a model, the pavilion is an actual space, constructed so it can be occupied and looked at; but it has no apparent purpose.... Read more

The Aue pavilions were temporarily built for the hundred days of Documenta IX in Kassel and formed one of the components housing the contemporary art exhibitions. Visited by six hundred thousand people, the pavilions showcased the work of twenty-eight artists. The Building was situated in the extensive baroque park of Friedrichs' Aue's. This park lies sixteen metres below the nearby Friedrichsplatz from where one could look down on the pavilions... Read more

A penthouse was built on top of an industrial building with an art nouveau facade. This glass pavilion forms a still-life on the roof together with the technical installations enclosed inside a grating, and Isa Genzken’s work of art Camera. The frame of the work of art emphasises the role the flat plays as an observatory overlooking the town.... Read more

BAC Bank in Kerksken is a local bank branch and is one of the very first projects of Robbrecht and Daem architecten. The building stands on a plot that is grafted diagonally to the street and had to be bordered on one side by a blind facade. The complex geometry of this plot was therefore the basis of the design for the layered facade and the play of perspectives that it creates. With a bus stop on the doorstep, the facade projection gained... Read more