Positioned on the side and certainly not willing to interfere in Rubens’ famous lines of sight, the new reception building for the Rubenshuis - the house, studio and garden of artist Peter Paul Rubens - is a discrete extension to this historical site. Besides the reception function, it also contains a multimedia experience centre, a museum café, a reading room and the library collection of the Rubenianum, known as the world’s most extensive... Read more

In a working class neigbourhood of Ghent, against the backdrop of nearby blocks of high-rise flats, Robbrecht en Daem converted an existing timber yard into new architectural studios. The roof of the shed, built by the wood construction company De Coene in the early seventies, was partially dismantled. What used to be the work floor has become an outdoor space that accommodates an arboretum fringed with wild grasses, a swimming pool, bicycle... Read more

The Bourse in Brussels has just reopened its doors, exchanging its status as an urban fortress for that of a genuine public building, given back to the citizen. In doing so, it envisions a highly accessible, vibrant, and diversified future.  The initial request from the international competition was for an ambitious redevelopment of the monument – to improve its accessibility with respect to the pedestrian zone and the Grand Place... Read more

The Louie Almanak is a calendar of time and space, linked by pencil. Building on the Louie number series (a numerical system that plays an important role in the work of Robbrecht en Daem architecten), the contours of time were plotted like a strict score in which the seasons move. The numerical thinking that already so often defines the lines of a design here builds up a day, a week, a month, a year.... Read more

In order to arrive at a thoughtful strategy that proves itself to be sustainable and intelligent in the long term, a master plan vision for the entire building block was first developed. The proposition of a new wing offers the opportunity to better organise the entire site, to relieve pressure from the interior block and to complement old and new in a targeted way. The ambition was therefore to increase the quality of the 'building as a whole'... Read more

Xavier Hufkens – a leading contemporary art gallery in Europe – reopened its Sint-Jorisstraat gallery in Brussels in the summer of 2022, following a spatial reformulation of the existing flagship gallery with an important new extension by Robbrecht en Daem architecten. The project holds a special connection to the building’s history: thirty years ago, Robbrecht en Daem – in collaboration with Marie-José Van Hee architecten –... Read more

Clad in a crystalline skin of structured glass and brass-coloured anodized aluminium frames, this park building is embedded in the variable topography of its site, with each side responding to a different context. Whereas the long facade addresses the longitude of the park and the frontality of the ‘Ereperk der Gefusilleerden’, a military cemetery for both World Wars, the northern volume anchors the building in the urban fabric... Read more

‘No space, architecturally, is a space unless it has natural light.’ - Louis Kahn On a site on the Garenmarkt, next to the Groeningemuseum, a new exhibition hall will be erected by the end of 2024 that will house two museum spaces and opens out onto a new park. The exhibition areas will be constructed at a raised level and will be separated from each other by a public passageway (Scala Grande), so that an open, transparent and freely... Read more

3 Fonteinen is a traditional lambic and gueuze brewery with a long history dating back to 1887. It is known for its adherence to heritage, honest production methods and the place it has held for years in the top 50 best breweries in the world.Today, the brewery is located 'on top of the mountain' in the village centre of Beersel, while the wooden casks are located 'down below' in Lot, next to the Senne. It is in this latter location that 3... Read more

The general concept of the design focuses on the various ways of experiencing art. Three museological rooms, heart of the Udarnik project, differ regarding user experiences. Large differences of scale and light atmosphere stimulate the museological experience. The three exhibition rooms are modules that can be arranged differently, this ensures the flexibility and continuity of Udarnik: The Incubator on the groundfloor, a central hall as a free... Read more

Following two demolition campaigns for a world exhibition in 1913 and an administrative centre never built in the 60s, Ghent’s historic heart degenerated for decades into a desolate parking lot in between a suite of three adjoining Gothic towers. In two consecutive competitions between 1996 and 2005, Robbrecht en Daem architecten and Marie-José Van Hee architects proposed their own programme, countering the initial competition requirement.... Read more

On top of a polished concrete base raised slightly off the ground, a light, gleaming, green-painted steel construction unfolds to form a shelter to protect delicate works of art. The diagonal lines of passage through this new pavilion interweave Middelheim Park with the Hortifloria Garden, a recent extension of this well-known Antwerp sculpture park. Four vertical recesses provide the entrances to the pavilion, divide the space into four and... Read more

Two new projection halls for the internationally acclaimed Royal Belgian Film Archives have been installed into the excavated volume under Victor Horta’s Centre for Fine Arts. This intervention has made it possible for the ‘Salles des Arts Décoratifs’ to be restored, as defined in the master plan for the restoration of the building. Cinematek’s prominent collection of historical film apparatus is displayed in a Wunderkammer, a free... Read more

In the best museums and galleries one finds one's way through a series of rooms, where the artefacts are carefully lit and set off by calm backgrounds. A degree of repetition helps navigation, some variation helps orientation.The proposals for the Whitechapel Art Gallery are bold in their restraint (someone commented: 'where’s the architecture?') and seize a simple but powerful opportunity: lower and upper floors are configured as circuits of... Read more

Refurbishment of the entrance hall and auditorium in the Royal Museum for Fine Arts Antwerp (KMSKA). This included the reception desk, benches, signalisation in the entrance hall, lectern, speaker’s desk and the separation wall in the auditorium.... Read more

The Boijmans Van Beuningen Museum in Rotterdam is a complex amalgam of sections all built at different times. The extension by Robbrecht en Daem makes the museum into a single entity again. Green-tinted glass sheets introduce a rhythm into the façade that looks austere and elegant, but its layering also gives a hint of the complexity of the building. Inside, there is a striking link between Adrianus Van der Steur’s 1935 brick building and the... Read more

On ‘t Zand, an open urban space near the station in Bruges, Robbrecht and Daem built a concert hall for Bruges when it was the Cultural Capital of Europe in 2002. Alongside the Halletoren, the Church of Our Lady and St Salvator’s Cathedral, this ‘Concertgebouw’ has become a landmark when driving into the city. A uniform external cladding in terracotta tiles hangs like dignified drapery over the volumes of the concert hall, fly tower and... Read more

The design of the locomotive depot for the collectors Hauser & Wirth is the result of Robbrecht en Daem’s longterm association with artists and artworks. The Lokremise, or Lok depot, was not initially conceived as a museum, but as a collection display. The architecture was imagined in relation to the artworks. From the start, therefore, Paul McCarthy’s toppled studio, known as “The Box”, was included in the project and the architecture was... Read more

The Aue pavilions were temporarily built for the hundred days of Documenta IX in Kassel and formed one of the components housing the contemporary art exhibitions. Visited by six hundred thousand people, the pavilions showcased the work of twenty-eight artists. The Building was situated in the extensive baroque park of Friedrichs' Aue's. This park lies sixteen metres below the nearby Friedrichsplatz from where one could look down on the pavilions... Read more

Together with the work of Cristina Iglesias, René Daniëls and Philippe Van Snick, Isa Genzken’s sculptures form a basic component of the double exhibition Floor for a Sculpture, Wall for a Painting which was once described as Robbrecht en Daem’s ‘materialized manifesto’. In the gallery, two sturdy cavity walls were added to the existing architecture, as a resultof which a new corner was created. In one of the exhibitions, Van Snick... Read more